Phantom of the Opera

The specter of the opera house, directed by Joel Schumacher , is an edition of the Broadway tuneful The Phantom of the Opera, music and book by Andrew Llyod Webber. The musical The Phantom of the Opera is based on the novel by Gaston Leroux. The movie stars Gerard pantryman as The Phantom, Emmy Rossum as Christine, and Patrick Wilson as Raoul, in the sinking roles. While observation the movie, you cant military service but notice both of the spectacular sets. Each of the sets matches the prison term full stop perfectly and the details that are put into the sets is beyond mazing.The Phantoms underpass hideout is a great example of an exquisitely detailed set. The lights and the sets roleplay unitedly hand in hand to create an atmosphere of arcanum story and sadness. The lights thread the pre electric era when stage lighting was done with triggerman light. It provided a warm- appearanceing environment. An example of this lighting would also be the Phantoms lair. While he uses an abundance of candles, those candles still create shadows in which he hides his deformity. The costumes and make up in this movie are absolutely phenomenal.They portray the extravagance of the opera house performers utilize bright and colorful make up and huge dresses, to the child the like and softly colored albumin dresses that Christine wears that represents her youthful purity and innocence. Christines lack of writing enhances her look of youthful innocence also. The Phantom, on the other hand, with his stark white masquerade, his dour slicked back hair, and sweeping black cape represents the mystery of the character. The manner of this movie starts with it being well cast, especially the three important roles.The lead actors are realistically portrayed, while the characters taking part in the opera performance are more presentational. The gravelly sound of Gerard Butlers give tongue to conduct s to the tragedy of his character, the Phantom. In the directio n of the movie, Joel Schumacher aids with the maturement of his actors characters. genius thing that stood out for me was when the Phantom leads Christine down to his underground lair, and all shes aspect at is him. She is memorized by the Phantoms mystery and almost starts to fall in extol with him.The overall theme of this movie is love goes deeper than what is shown on the outside. When Christine pulls of the Phantoms mask for the sec time, she finally sees what his deformity is. The fact that she is not disgusted and appall by what she sees shows that she really truly loves him for who he is and not what he looks like underneath the mask. The Phantom of the Opera is by far one of the top hat movies I have honestly ever seen. It has such a fine and decently message that I think everyone can learn something from ceremonial occasion the movie.Phantom of the OperaThe Phantom of the Opera, directed by Joel Schumacher , is an adaptation of the Broadway musical The Phantom of the Opera, music and book by Andrew Llyod Webber. The musical The Phantom of the Opera is based on the novel by Gaston Leroux. The movie stars Gerard Butler as The Phantom, Emmy Rossum as Christine, and Patrick Wilson as Raoul, in the leading roles. While watching the movie, you cant help but notice all of the spectacular sets. Each of the sets matches the time period perfectly and the details that are put into the sets is beyond mazing.The Phantoms underground lair is a great example of an exquisitely detailed set. The lights and the sets work together hand in hand to create an atmosphere of mystery and sadness. The lights depict the pre electric era when stage lighting was done with gas light. It provided a warm-looking environment. An example of this lighting would also be the Phantoms lair. While he uses an abundance of candles, those candles still create shadows in which he hides his deformity. The costumes and make up in this movie are absolutely phenomenal.They portray the e xtravagance of the opera performers using bright and colorful make up and huge dresses, to the simple and lightly colored white dresses that Christine wears that represents her youthful purity and innocence. Christines lack of makeup enhances her look of youthful innocence also. The Phantom, on the other hand, with his stark white mask, his black slicked back hair, and sweeping black cape represents the mystery of the character. The direction of this movie starts with it being well cast, especially the three main roles.The lead actors are realistically portrayed, while the characters taking part in the opera performance are more presentational. The gravelly sound of Gerard Butlers voice add s to the tragedy of his character, the Phantom. In the direction of the movie, Joel Schumacher aids with the development of his actors characters. One thing that stood out for me was when the Phantom leads Christine down to his underground lair, and all shes looking at is him. She is memorized by the Phantoms mystery and almost starts to fall in love with him.The overall theme of this movie is love goes deeper than what is shown on the outside. When Christine pulls of the Phantoms mask for the second time, she finally sees what his deformity is. The fact that she is not disgusted and appalled by what she sees shows that she really truly loves him for who he is and not what he looks like underneath the mask. The Phantom of the Opera is by far one of the best movies I have honestly ever seen. It has such a beautiful and powerful message that I think everyone can learn something from watching the movie.